The Modernists
2010, two c-prints; video projection, colour/silent
Black Moon
2010, S-16mm Film transferred to High Definition, 20 minutes, color/sound
Black Moon /
Hole Punches
2010, 15 C-Prints, 13.5x24 in / 34.3x61 cm
Black Moon /
Mirrored Malle
2010, 2-Channel Video Installation from 16mm Film, 4 minutes, color/sound
2010, two c-prints; video projection, colour/silent
Black Moon
2010, S-16mm Film transferred to High Definition, 20 minutes, color/sound
Black Moon /
Hole Punches
2010, 15 C-Prints, 13.5x24 in / 34.3x61 cm
Black Moon /
Mirrored Malle
2010, 2-Channel Video Installation from 16mm Film, 4 minutes, color/sound
My Way 1
2009, video, 9 minutes, colour/sound
My Way 2
2009, video, 12 minutes, colour/sound
Pitch
2009, sound, 1:33 minutes
Author, Author
2009, project for publication, Input Iteration 2
2009, video, 9 minutes, colour/sound
My Way 2
2009, video, 12 minutes, colour/sound
Pitch
2009, sound, 1:33 minutes
Author, Author
2009, project for publication, Input Iteration 2
DDR/DDR
2008, HD, 135 minutes, colour/sound
2008, HD, 135 minutes, colour/sound
Deutsche Menschen /
German People
2007, HDV, 27 minutes, colour/sound
“Don’t Mention the Wall,” The Imagined Nation: Body & Gender in East German Studio Films, DEFA Shriftenreihe, Berlin, 2007
German People
2007, HDV, 27 minutes, colour/sound
“Don’t Mention the Wall,” The Imagined Nation: Body & Gender in East German Studio Films, DEFA Shriftenreihe, Berlin, 2007
“Author Photographs and Their Victims,” 2006
Deathstar / Todesstern
2006, 5-channel video installation from 16mm film
Deathstar / Todesstern
(Study I)
2006, c-print
Deathstar / Todesstern
(Study II)
2006, c-print
Deathstar / Todesstern
2006, 5-channel video installation from 16mm film
Deathstar / Todesstern
(Study I)
2006, c-print
Deathstar / Todesstern
(Study II)
2006, c-print
Berlin Remake
2005, 2-channel video installation
2005, 2-channel video installation
“Marching Up, Crawling Through and Coming Out: Public Art in Germany,” with Bettina Mathes, Chain 11: Public Forms, Temple University Press, Philadelphia, 2004
Empathy
2003, 35mm film, 92 minutes, colour/sound
2003, 35mm film, 92 minutes, colour/sound
Establishing Shots
2002, 3-channel video installation
Establishing Shots (Study)
2002, photographs, drawing on paper, 6’x 14’
Brewster X9
2002, site-specific installation
The Brewster Project, Brewster, New York, USA
“Violations, Indiscretions and Narrative Expectation in Film Sound,” Soundscape: The School of Sound Lectures 1998-2001, Wallflower Press, London, 2002
2002, 3-channel video installation
Establishing Shots (Study)
2002, photographs, drawing on paper, 6’x 14’
Brewster X9
2002, site-specific installation
The Brewster Project, Brewster, New York, USA
“Violations, Indiscretions and Narrative Expectation in Film Sound,” Soundscape: The School of Sound Lectures 1998-2001, Wallflower Press, London, 2002
The Proud Scabs
2001, video, 6 minutes, color/sound
The Poetry Project, New York, Commission
“Godard: Ideas & Images,” with Jon Jost & Patrick Keiller, Vertigo Magazine, Vol. 2 No.1, Spring 2001, London
2001, video, 6 minutes, color/sound
The Poetry Project, New York, Commission
“Godard: Ideas & Images,” with Jon Jost & Patrick Keiller, Vertigo Magazine, Vol. 2 No.1, Spring 2001, London
The Sleepers
1999, 16mm Film, 45 minutes, colour/sound
The Waking Life, 1999, North Atlantic Books, Berkeley, CA.
1999, 16mm Film, 45 minutes, colour/sound
The Waking Life, 1999, North Atlantic Books, Berkeley, CA.
Pasang Naik / The Tide
1997, video, 17 minutes, colour/sound
1997, video, 17 minutes, colour/sound